WORKS (SELECTION)
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The Haunting, 2021 Marble, fabric, light. Variable dimensions. Installation view at Guadalajara90210 |
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Acts of illusion (Actos de ilusión), 2020
Video HD 9' |
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Telón de Fondo (Backdrop), 2018 Installation of two video channels and a 4.1 channel sound system. Variable dimensions. Installation View at XIII Bienal Femsa |
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El pliegue (The fold), 2020
Diptych Pencil on paper. 49 x 59 cm |
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Conversaciones sobre la misma imagen (Conversations about the same image), 2021
Marble. 40 x 61,5 x 25cm 40 x 60 x 17 cm |
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Untitled (Butterfly #3), 2014 Taxidermied butterfly, wood, mirror and glass 45 x 45 x 122 cm. |
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El Espacio en medio (The space in between), 2011 Wood, two-way mirror glass Variable Dimensions Installation view at Laboratorio Arte Alameda |
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El Problema de lo Real (Vitrine #2), 2010 Wood, glass, mirror, playing cards 150 x 120 x 70 cm Installation view at Laboratorio Arte Alameda |
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Preludio (Prelude), 2014 Triptych Color photographs 21 x 16 cm each |
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Bajo la luz fuiste ciego a la noche (Under the light you were blind at night), 2021 Resin and metal. 45 x 47 x 37 cm. |
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Screen (an assembling in two acts), 2019 Two-way mirror, lights, dimmers, curtains, carpet. Duration 19 min (loop). Installation View at Lille3000, Lille, France. Spatial setting based on a dialogue between two different spaces. In this sense, I divided the space into four parts, and in between I arranged a double-view mirror that reflected what a choreography of lights allowed to see. In the mirror, that works as a screen, you could see how the space was, either full cover by curtains and carpet, or solid white walls, questioning the stiffness of the real space, and its possibility of expansion. Making use of reflections to travel both decorations from one place to another, thus generating different environments and dimensions that coexist in the same room.
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Fantasmas en el borde 2 (Ghosts on the edge 2), 2021 Wood, steel. 40 x 51.5 x 25 cm |
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Fantasmas en el borde 3 (Ghosts on the edge 3), 2021 Wood, steel. 50 x 30 x 40 cm. |
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Fantasmas en el borde 1 (Ghosts on the edge 1), 2021 Wood, steel. 60 x 118 x 30 cm |
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Fantasma (Ghost), 2015 Double-projected 16mm film. 3 minutes in loop Variable dimensions Installation View at FIL (Feria Internacional del libro), Guadalajara, Mx. Each side of the screen suspended between the two 16mm projectors shows different qualities of the same image. In one, it is the projection of a filmed scene of dust over a dark background. In the other, the emulsion was removed from the film magazine and a wax was adhered in its place. As the projector ran over time, the dust in the place became impregnated and projected onto the white surface of the screen.
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El Umbral de lo Visible (The threshold of the visible), 2018 Glass and wood 70 x 110 x 60 cm 60 x 120 x 60 cm |
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Puesta en escena (Staging), 2015. HD video 1 min 28 seg en loop |
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Saliendo de Cuadro (Coming out of frame), 2018 Wood, carpet, switch. 230 x 170 x 50 cm |
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El Año Pasado en Marienbad (Last year at Marienbad), 2017 Pencil on paper 65 x 40 cm This drawing departs from two superimposed stills, like two points of view, from a scene in the film Last year at Marienbad. The place is the same, but like the opinions and memory of the characters, the image is different. The idea of what is "real" in the scenario becomes ambiguous. |
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Lo que se esconde es lo que se revela #1 (What is hidden is what is revealed, 2014 Glass and mirror 60 x 60 x 120 cm |
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Lo que se esconde es lo que se revela #3 (What is hidden is what is revealed, 2014 Glass and mirror 90 x 40 x 120 cm |
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Lo que X recuerda de lo que Y olvidó (What X remembers of what Y had forgotten), 2018 Wood, mirror X: 100 x 66 x 45 cm Y: 80 x 80 x 45 cm |
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Porta-infinitos (portable-infinities), 2004 Series of 3 portfolios Stainless steel, acrylic mirror 60 x 40 cm each one |
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Fuera de cuadro (Offscreen), 2016 A series of 6 drawings Color pencil on paper 49 x 36 cm each |
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Álamos, 2008 Series of 6 color photography 21 x 15 cm each. |
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Telón abierto (Open Backcloth), 2017 Resin, sand, wood 56 x 48 x 50 cm. |
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Polifonía, 2017 Pencil on paper 8 x 11 inch each. |
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Telón Rojo (Red curtain), 2013 Color Photograph 24 x 18 cm. |
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Espacios Circulares (Circular Spaces), 2017 Wood 80 x 70 x 54 cm. each |
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Tan lejos y tan cerca de lo visible (Far away, and yet so close to the eye), 2013 Plaster, wood, glass 85 x 55 x 160 cm |
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Untitled, 2014 Pencil on paper and glass 52 x 16 x 19 cm. |
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Nocturno Alterno (Alternate nocturnal), 2017 Obsidian, glass, ping pong ball, mirror. 15 x 50 x 25 cm. It makes reference to Jose Juan Tablada´s poem of the same title, contained in Li Po and Other Poems. In this work, Tablada uses different typographies in order to highlight the presence of two different poems in one strophe. In the second strophe he uses a third typography in which both poems reconcile. |
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Testigo Ocular (Ocular witness), 2013 Pencil on paper in two-sided painted wood frame. 26 x 10 x 18 cm each |
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Cabinas (Booths), 2007 Stainless steal, mirrors. 50 x 30 x 30 cm each |
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Adaptando la moneda (Adapting the coin), 2013 Pencil on vellum. 20 x 25 cm each |
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Algunas formas se esconden fácilmente bajo otras (Some forms hide easily under others), 2017 pencil on paper 8 x 11 inch |
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